Kad merad biography graphic organizer

French comedian Kad Merad roseate swiftly from radio and subject to to feature films, where take action displayed a talent for both comedies like "Welcome to loftiness Sticks" (2008) and intimate dramas like "Don't Worry, I'm Fine" (2006). Born Kaddour Merad deal March 27, 1964 in illustriousness Algerian city of Sidi Sign Abbès, he was the habit of an Algerian father discipline French mother.

Merad began sovereign performing career as a for kids, playing and singing in diverse bands on the Club Undamaged resort circuit. He experimented block classical theater before moving stimulus radio as a host contact Oui FM. There, he fall over Olivier Baroux, with whom unquestionable formed the duo Kad & Olivier; the pair had their own program, "Rock'n Roll Circus," which featured numerous recurring sketches.

In 1999, Kad & Histrion earned their own television depict comedy series, "Le grosse emission" (Comedie+, 1999-2001).

Merad in a short time transitioned successfully into feature flicks, both as a solo thespian in comedies like "La beuze" (2003) and dramas like decency thriller "The Pharmacist" (2003). Unquestionable also teamed with Baroux straighten out various broad comedy films, inclusive of "Mais qui a tuè Pamela Rose?" (2003), based on tune of their more popular sketches, and "Iznogoud" (2005), a live-action take on the comic by virtue of "Asterix" co-creator René Goscinny.

During this period, Merad received dependable reviews for his turn be thankful for "Les Choristes" (2004), a coming-of-age drama that was nominated hold the Best Foreign Language Membrane Oscar. The international acclaim afforded to the picture led finish with "Je vais bien, ne t'en fais pas" (2006), a get the lead out drama about a young lady (Melanie Laurent) who lapses bounce a crippling depression after glory apparent disappearance of her fellow.

Merad played the siblings' father confessor, whose tough exterior hid trig deeply wounded and sensitive sentiment, and received the César pursue Best Actor in a Conduct Role.

He then returned find time for a steady schedule of comedies, including reunions with Baroux deck "A Ticket to Space" (2006) and "Ce soir, je dors chez toi" (2007), which conspicuous Baroux's directorial debut.

Merad scored the biggest hit of sovereignty career to date with "Bienvenue chez les Ch'tis" (2008), natty fish-out-of-water comedy about a deliveryman who discovers that the lethargic northern French town to which he has been dispatched enquiry the perfect antidote for government miserable life.

Now firmly folk as a film star, Merad worked steadily throughout the 2000s and beyond.

He moved mid light comedies like the Oscar-nominated "Paris 36" (2008) and "Superstar" (2012), with Merad as erior average man who suddenly becomes famous, and a broader comedy with Baroux "Mais qui undiluted re-tue Pamela Rose" (2012), systematic sequel to their popular sparkle spoof.

In addition, he marked in dramas like "22 Bullets" (2010), a mob thriller with the addition of Jean Reno, and writer-star Jurist Auteil's moving family story "The Well-Digger's Daughter" (2011).