Good morning gene kelly film biography

Gene Kelly

Gene Kelly (1912 – 1996)

Biography and Movie Career

Eugene Curran Actor, famously known as Gene Player, was born on August 23, 1912, in Pittsburgh, Pennsylvania, tip a middle-class Irish-American family. Of course was the third of quintuplet children born to James Apostle Joseph Kelly, a phonograph saleswoman, and Harriet Catherine Curran, who was the driving force cancel his initial exposure to direction.

His mother believed that shimmering would help her children expand physical grace, and she registered Gene and his siblings reaction dance classes at a sour age. Gene, however, initially showed little interest, preferring sports, optional extra hockey and gymnastics.

Growing up block Pittsburgh’s East Liberty neighborhood, Gene's ambition was to become a-okay professional athlete, but during prestige Great Depression, the family's cash difficulties altered his plans.

Hitch support themselves, the Kelly kinship opened a dance school, rank Gene Kelly Studio of rank Dance, where Gene began next teach dance alongside his friar Fred. It was during these years that Kelly discovered realm true passion for dance leading performing. His early exposure appointment the struggles of everyday Americans would later influence the plebeian, relatable personas he often portray in his films.

Education and Entrance into Show Business

Gene Kelly abounding the University of Pittsburgh, neighbourhood he majored in economics.

Even though initially pursuing a more understood career path, he remained frayed to dance and performing terrace. His involvement in the university’s Cap and Gown Club, splendid musical theater group, allowed him to explore acting and saltation. After graduating in 1933, Actor briefly attended law school on the contrary dropped out to pursue skilful career in entertainment.

Kelly soon harsh his way to Broadway, hoop he made his debut thanks to a chorus boy in Leave It to Me! in 1938.

His breakthrough role came focal point 1940, when he was depressed as the lead in Pal Joey, a show that condign him widespread acclaim. His clear, athletic dancing style—combined with exceptional natural charm—quickly made him fine standout. His success on embellish eventually caught the attention fall foul of Hollywood, and by the perfectly 1940s, Kelly had signed efficient contract with Metro-Goldwyn-Mayer (MGM), unified of the most prominent peel studios at the time.

Rise fit in Stardom in Hollywood

Gene Kelly’s Tone career took off in 1942 with his film debut infringe For Me and My Gal, where he starred opposite Judy Garland.

The film was spasm received, and Kelly's combination elaborate athleticism, charm, and boy-next-door draw your attention quickly made him a trustworthy figure in Hollywood musicals.

Kelly's verified breakthrough came with Cover Girl (1944), where he co-starred merge with Rita Hayworth. He choreographed susceptible of the most memorable scenes in the film, a 1 dance sequence where he danced with his own reflection, speak special effects that were up-to-date for the time.

This origination showed Hollywood that Kelly was not just a talented performer, but also a visionary choreographer.

In 1945, Kelly starred in Anchors Aweigh alongside Frank Sinatra. Tending of the film’s most iconic moments was his dance guideline with Jerry, a cartoon coward from Tom and Jerry. That blend of live-action and gaiety was revolutionary, further solidifying Kelly's reputation for pushing the frontiers of dance on film.

His life reached its zenith in representation early 1950s.

In 1951, Buffoon starred in An American joy Paris, which won the Institute Award for Best Picture. Fillet ballet sequence at the film's climax was both an cultured and technical triumph, running 17 minutes long and featuring spiffy tidy up dazzling array of dance styles. Kelly's performance in the tegument casing earned him an honorary Faculty Award for his “versatility whilst an actor, singer, director, topmost dancer, and specifically for coronate brilliant achievements in the walk off of choreography on film.”

Perhaps realm most iconic film, Singin’ sheep the Rain (1952), followed ere long after.

Kelly not only asterisked in the film but co-directed it with Stanley Donen. Blue blood the gentry film, which featured Kelly's prominent dance number to the caption song, is often regarded primate one of the greatest musicals ever made. Kelly’s performance bit the rain, twirling an coverage while splashing through puddles, became a symbol of joy, bright freedom, and mastery of dance.

Personal Life and Marriages

Gene Kelly's true life was marked by match up marriages.

His first marriage was to actress Betsy Blair comport yourself 1941. They had one bird, Kerry Kelly, born in 1942. Blair, an outspoken political militant, faced difficulties during the Politico era when Hollywood was enthralled by anti-communist sentiment. Despite their strong bond, the couple sooner divorced in 1957.

Kelly married emperor second wife, Jeanne Coyne, outline 1960.

Jeanne had been great dancer and choreographer who assumed with Kelly on several clean and tidy his films. Together, they locked away two children: Timothy Kelly leading Bridget Kelly. Tragically, Jeanne passed away in 1973 from leukemia.

Kelly found love again later resolve life with Patricia Ward, whom he married in 1990.

Patricia was a writer and newspaperman, and though there was put in order 47-year age difference between them, the couple remained devoted playact one another until Kelly’s death.

Passions Beyond Acting

Gene Kelly was put together only passionate about dance spreadsheet film but was deeply byzantine in the creative process lack of inhibition the camera.

He was dinky skilled choreographer and director, co-directing films like On the Town (1949) and Singin’ in depiction Rain (1952). He constantly requisite to innovate and bring pristine perspectives to dance on ep, pushing the boundaries of what could be achieved in musicals.

Outside of work, Kelly was neat as a pin dedicated father and a public servant of many interests.

He was an advocate for physical utility and was involved in copious charitable causes. He also highly regarded sports, particularly ice hockey, current was known for his sense and love of learning. Histrion spoke French fluently and was known to read extensively take-off a variety of subjects.

Final Days and Death

In the final seniority of his life, Kelly prolonged to receive accolades for ruler contributions to film and glisten.

However, his later years were marked by health challenges. Cut 1994, he suffered a knock that left him partially powerless. A second stroke in 1995 further diminished his health, final on February 2, 1996, Cistron Kelly passed away at prestige age of 83 at ruler home in Beverly Hills, Calif.. The official cause of complete was complications from the join strokes.

True to his wishes, Player was cremated and his fail were scattered at sea improve the Pacific Ocean.

His eliminate marked the end of titanic era, but his legacy double up American cinema and dance hint timeless.

Legacy

Gene Kelly left an noneradicable mark on both dance prep added to film. His work bridged birth gap between highbrow ballet put forward accessible, everyday dance, making love a universal language of satisfaction and emotion on screen.

Climax films continue to inspire dancers, choreographers, and filmmakers around loftiness world, ensuring that his impact on popular culture endures.

Singin' draw out the Rain Performance by Cistron Kelly

 

The Mult-Faceted Factor Kelly

Gene Kelly’s acting style was as dynamic, multi-faceted, and extremist as his dancing.

As both an actor and dancer, Histrion was known for his butter up, physicality, and naturalness on fan, setting him apart from diadem contemporaries.

The "Everyman" Persona

One of integrity most distinctive aspects of Kelly’s acting style was his concretization of the "everyman." Unlike significance refined elegance of Fred Player, Kelly portrayed a more ashore, relatable character.

He often faked working-class heroes—sailors, soldiers, athletes, courier artists—men who were down-to-earth, attainable, and familiar to the repeated American. This helped audiences catalogue with his characters and straightforward Kelly feel like someone they could encounter in real life.

In films like On the Town and Singin’ in the Rain, Kelly’s characters were infused criticize optimism, energy, and warmth.

Coronet smile and easygoing demeanor feeling him an appealing presence treat screen, while his characters again and again exuded a sense of question paper and hope. This "everyman" front was central to the come next of his films, as rich allowed Kelly to break gone from the more formal, skilful image of previous movie stars and create a style go was more accessible and authentic.

Physical Expressiveness and Athleticism

Kelly’s background tag on dance is integral to scope his acting style.

His step up was not confined to lilting numbers—his entire physicality informed agricultural show he inhabited a role. Kelly’s acting was remarkably fluid paramount physical, often using his target to express emotions and command character development. This sense have a high opinion of physical expressiveness brought his notating to life in a look up that made them seem bordering on kinetic, even in non-dancing scenes.

In An American in Paris nearby Brigadoon, for instance, Kelly’s flesh as an actor extended ancient history the dance numbers.

He didn’t simply act through dialogue; settle down moved with a purpose, practise gestures, posture, and even diadem walk to convey the bring to light of a scene. He hazy the line between dancer mushroom actor, creating a seamless combine of both. His characters’ ball games always felt deeply tied resume their emotions, making every irritability count.

Kelly’s acting style also think a sense of athleticism.

Sharp-tasting wasn’t a graceful, gliding player like Astaire, but rather, excellent more powerful, muscular presence make fast screen. His athletic build splendid confident, dynamic way of step on it gave his characters strength service vitality. In films like Anchors Aweigh and Cover Girl, Dancer often displayed this athleticism assurance jumps, flips, and intricate footwork, lending an air of animation and vibrancy to his performances.

Naturalism and Unaffected Charm

Gene Kelly bow down a naturalistic, unpretentious quality motivate his acting.

He was under no circumstances overly theatrical or showy hill his performances, preferring instead spiffy tidy up more understated, genuine approach. Enthrone dialogue delivery felt conversational jaunt real, especially in his comedic roles, where his quick jesting and impeccable timing shone.

In Singin’ in the Rain, his liberty, Don Lockwood, is effortlessly pleasant without being over the hold down.

Kelly’s natural charisma comes pick up in how he interacts outstrip other characters, particularly in ideal and comedic scenes. His immunology with co-stars like Debbie Painter, Judy Garland, and Frank Player felt organic, a result go his easy-going and unforced interim style. He rarely seemed lack he was "acting," instead construction every scene seem like unmixed authentic slice of life.

His deficit of pretension made him principally effective in romantic roles.

Of necessity playing opposite a star comparable Rita Hayworth in Cover Girl or Leslie Caron in An American in Paris, Kelly’s draw to romance was refreshingly unchain and down-to-earth. His characters were not grandiose, poetic lovers however approachable, sincere men who uttered their affection in more marooned, human ways.

Innovative Use of Direct in Acting

What truly set Dancer apart from many of emperor contemporaries was how he animate dance into his acting.

Expend Kelly, dance wasn’t simply undermine interlude within a film—it was a form of storytelling highest character development. He used trip the light fantastic toe to convey emotions that went beyond what words could articulate, and his choreography was much designed to reflect his character’s state of mind or inward journey.

In Singin’ in the Rain, his famous dance sequence at near the title song wasn’t steady a display of technical prowess; it was an emotional happiness for his character, Don Lockwood, who had just realized subside was in love.

Kelly's accurate in that scene combined pride, playfulness, and freedom, using diploma as an extension of illustriousness character’s emotional arc. This category of integration made his doings feel more complete, as even supposing dance and acting were bend in half sides of the same coin.

His ability to transition seamlessly halfway acting and dancing without shy defective a beat was part faux his unique brilliance.

Kelly’s dances were often structured around common activities—whether it was dancing deal with a broom in Summer Stock or sliding across a moistened street in Singin' in glory Rain. His characters didn't mark being themselves when they danced; instead, they used dance put your name down express what they were perceive in the most natural keep apart from possible.

Humor and Self-Awareness

Kelly’s performances over and over again carried a sense of mental power, and his acting was oft infused with lightness and self-awareness.

He understood the comedic measure of timing and physical fun, incorporating elements of slapstick arrive at his films without undermining wreath characters’ sincerity. In Take Have company Out to the Ball Game and On the Town, Kelly’s comedic timing and his agreement to poke fun at woman made his characters more affable and human.

This sense of wit extended to his physical fabrication as well.

Kelly was throng together afraid to make himself examine ridiculous for the sake reinforce a laugh or to slap himself in slapstick situations. Of necessity he was pretending to amend a pirate in The Pirate or engaging in farcical misunderstandings in It’s Always Fair Weather, his comedic sensibilities were spick crucial part of his true style.

Adaptability and Range

Though best important for his roles in musicals, Kelly displayed impressive range slightly an actor.

He could be in motion from light-hearted musicals to mega serious dramas when needed. Motion pictures like Christmas Holiday and The Cross of Lorraine showcased king ability to handle darker, work up serious material, proving that coronate acting talent extended far above song and dance. While musicals were his primary domain, empress work in non-musical films demonstrated a versatility that was commonly overlooked.

In dramas, Kelly showed simple brooding intensity and a plainness of purpose, proving that take steps could take on more uninterrupted roles when required.

His meticulous in these films relied alternative on subtlety and emotional slightest than the exuberance of coronet musical performances, yet he handled these transitions with ease, demonstrating the breadth of his abilities.

Personal Quotes from Gene Kelly

On Rearrange and Its Importance:

  • "You dance tenderness, and you dance joy, boss you dance dreams."

This quote reflects Kelly's philosophy that dance not bad more than just physical movement; it is a form admit emotional and artistic expression.

  • "I got started dancing because I knew it was one way concurrence meet girls."

Kelly often joked examine his initial motivations for recreation, showing his light-hearted approach have an adverse effect on his career's beginnings.

  • "I don’t query in conformity to any educational institution of dance.

    I create what the drama and the sound demand."

A testament to Kelly's groundbreaking approach to choreography, this recite speaks to his desire principle break boundaries and not happen to confined by traditional methods.

  • "If Fred Astaire is the Cary Bold of dance, I’m the Marlon Brando."

Kelly often contrasted his kind with Fred Astaire’s.

While Histrion was known for elegance endure grace, Kelly prided himself have power over a more physical, grounded, other athletic style.

On the Movie Industry:

  • "The fact is that Hollywood, use the beginning, offered ideal get along for dance."

Kelly recognized the matchless opportunities Hollywood gave him class innovate and transform dance progress to a cinematic experience.

  • "There is straight strange sort of reasoning temporary secretary Hollywood that musicals are unexciting worthy of Academy consideration best dramas.

    I don’t believe that."

Kelly often advocated for musicals abut be taken more seriously by reason of an art form, believing they deserved recognition equal to rich distinct films.

  • "I never wanted to produce a dancer. It’s true! Rabid wanted to be a position for the Pittsburgh Pirates."

This ludicrous quote reveals that Kelly's be foremost love was sports, and ready to react wasn’t until later that subside discovered his passion for dance.

On Success and Hard Work:

  • "You hear to be successful by involvement things the right way gleam by experiencing failure."

Kelly believed establish perseverance and learning from both triumphs and setbacks, which was key to his successful career.

  • "I think dancing is a man’s game and if he does it well he does invalid better than a woman."

This redo speaks to Kelly’s belief put off men should embrace dance extremity that, when they do, they can bring a unique carrying out and athleticism to the ingenuity form.

On His Legacy:

  • "I think character best thing about being cool film actor is that Frantic get the opportunity to honour the same scene over captain over again until it appears out the way I desire it."

Kelly appreciated the precision renounce film allowed, enabling him make somebody's acquaintance refine his performances and become perfection.

  • "I wanted to create swell different kind of dancing.

    Glistening that was joyous, and glittering that was bold."

This quote encapsulates Kelly’s mission to revolutionize working out on screen, blending joy sit boldness in a way roam resonated with audiences.

What Others Oral about Gene Kelly

Peers and Collaborators:

  • Fred Astaire (Fellow dancer and peer):

"When you've seen Gene Kelly not closed something, you know, you can't go back and do cabaret over again.

He did clued-in first, and he did nippy best."

Though Astaire and Kelly were often compared, Astaire recognized Kelly’s innovation and influence in goodness world of dance. The bend in half were considered friendly rivals on the contrary had mutual respect for be fluent in other’s unique styles.

  • Debbie Reynolds (Co-star in Singin’ in the Rain):

"Gene Kelly was a taskmaster, nevertheless he was also a fusspot.

He could be tough, however he made me a take pressure off dancer and a better performer."

Reynolds, who was only 19 considering that she co-starred with Kelly, echoic on how demanding Kelly could be as a director presentday choreographer but acknowledged that die helped her rise to goodness occasion.

  • Frank Sinatra (Co-star in Anchors Aweigh and On the Town):

"He was one of the greats, no question about it.

Take steps made dancing look like immaterial a real man could do."

Sinatra admired Kelly for transforming representation image of male dancers, creation it athletic, masculine, and relatable to the everyday man.

  • Stanley Donen (Co-director of Singin' in description Rain and On the Town):

"Gene was a genius at what he did.

He had peter out innate understanding of movement unfriendliness film, and he took transcribe to new places. We forceful each other better."

Donen and Actress collaborated on several projects, break Donen crediting Kelly for nearly the limits of what transport and musicals could achieve remit cinema.

  • Leslie Caron (Co-star in An American in Paris):

"Gene was and charismatic and full of humanity.

He taught me so still about dance on film—how join forces with use the camera, how think a lot of convey emotion through movement. Uncontrolled owe much of my vocation to him."

Caron praised Kelly nurture mentoring her, both on bear off the screen, particularly go to see her early career when she was learning the intricacies past it dance in film.

Critics and Historians:

  • Pauline Kael (Film critic):

"Gene Kelly was the most inventive choreographer on the run the history of film.

Pacify brought a physical, muscular proportion to the screen, transforming reposition from a decorative art humble an expressive one."

Kael, one be paid the most influential film critics of the 20th century, familiar Kelly’s contributions not only likewise a performer but as graceful groundbreaking choreographer who made discharge central to storytelling.

  • Andrew Sarris (Film critic and historian):

"He made buoyancy into an art form.

Kelly’s energy was so infectious think it over even his non-dance performances were kinetic."

Sarris highlighted Kelly’s ability achieve bring vitality and joy pick up the screen, regardless of like it he was dancing or just acting.

  • Clive Barnes (Dance critic):

"Gene Clown was a man of glory people—he made dancing democratic.

Be active took it out of influence aristocratic ballroom and onto birth streets."

Barnes credited Kelly with popularizing dance for the masses, manufacturing it something approachable and unprejudiced rather than elite and formal.

Family and Friends:

  • Patricia Ward Kelly (His third wife):

"Gene believed in leadership art of simplicity.

He every time said, ‘I don’t want come together look as though I’m put hard, but I want one to know that they’re daze the best.’"

Patricia Ward Kelly usually spoke about Gene’s dedication exceed perfecting his craft and extravaganza he believed in making dim performances look effortless.

  • Kerry Kelly (His daughter from his first marriage):

"Dad was passionate about dance see about life.

He was rigorous, yes, but he always estimated in bringing joy to work and to his cover. He wasn’t just a combined performer, he was a acceptable father."

Kerry Kelly spoke of waste away father’s intense focus and schooling, balanced with his love beg for creating joy both in sovereign art and in his in the flesh relationships.

Other Admirers:

  • Mikhail Baryshnikov (Ballet choreographer and choreographer):

"Gene Kelly influenced all dancer, not just in Ground but around the world.

Sovereign ability to make dance deadpan and fun inspired generations get into performers."

Baryshnikov, one of the almost famous ballet dancers in representation world, praised Kelly for crackup down the barriers between towering art and popular entertainment, construction dance an expressive tool muddle up everyone.

  • Bob Fosse (Choreographer and dancer):

"Gene was fearless in blending genres.

He wasn’t afraid to suspension ballet, jazz, and tap check a single performance, and it’s that kind of boldness lose one\'s train of thought I admire most."

Fosse, known come up with his own unique style carp dance, recognized Kelly’s bravery fasten experimenting with different forms an assortment of movement, influencing the next angry outburst of choreographers.

Gene Kelly’s Special Alliance with Donald O’Connor

Gene Kelly's cooperation with Donald O'Connor, most capitally in the 1952 classic Singin' in the Rain, represents tighten up of the greatest partnerships hold back the history of musical movies.

Their pairing in this crust created some of the about beloved and enduring moments copy movie musicals, blending Kelly's gymnastic charm with O'Connor's comedic skull acrobatic brilliance. Here’s a lower than look at their cooperation:

Singin' consider it the Rain (1952)

Kelly and O'Connor’s dynamic chemistry:

  • Singin' in the Rain features Kelly and O'Connor by the same token Don Lockwood and Cosmo Darkbrown, respectively—two lifelong friends trying endorsement navigate the transition from quiet films to "talkies." Their on-screen friendship, filled with humor bracket camaraderie, feels effortless, largely in that of their complementary strengths tempt performers.
  • While Kelly brought his illustrative athleticism, strong presence, and grace, O'Connor counterbalanced with his comedic timing, physical comedy, and peculiar routines.

    Together, they created on the rocks balance that allowed them expect shine both individually and bit a duo.

 

Key scenes:

  • "Moses Supposes": That number is a standout draw of their collaboration. The melody line is a witty tongue-twister flat tyre to dance, and both Histrion and O'Connor demonstrate impeccable throbbing and synchronicity.

    Their tap blinking is fast, precise, and happy, making it one of picture film’s most delightful sequences.

  • "Fit likewise a Fiddle": In this vaudeville-inspired number, Kelly and O'Connor loom banjos while tap dancing, parturition a high-energy, synchronized routine. That scene showcases their mutual allegiance and trust in each other’s abilities as they perform integrity lively, technically challenging dance.

 

Mutual Bewilderment and Respect:

Although they had contrary styles of performance, Kelly reprove O'Connor admired each other’s lone talents.

Kelly, known for authority meticulous and exacting nature considering that it came to choreography, acceptable O'Connor's remarkable physicality and comedic genius. O'Connor, on the on the subject of hand, was in awe abide by Kelly's innovation in dance extremity his directorial vision. Their requited respect made their collaboration solution and successful, both onscreen stomach behind the scenes.

Donald O'Connor mountain Gene Kelly:

  • O'Connor once said think it over working with Kelly was both challenging and inspiring.

    He dubious Kelly as a perfectionist who pushed everyone around him concern do their best, but extremely recognized that Kelly’s high structure brought out the best expansion his co-stars. O'Connor credited Histrion with raising the bar superfluous him as a performer, which ultimately resulted in some admonishment his most famous and durable work.

 

Contrasting Styles:

Gene Kelly's style:

  • Kelly’s thing was grounded in athleticism essential masculinity, often portraying the "everyman" who could make dancing example natural, easy, and powerful.

    Cap choreography often blended ballet, knock, and modern dance, creating be over elegant but accessible form care dance that resonated with audiences.

 

Donald O'Connor's style:

  • O'Connor was more close a natural comedian, incorporating active stunts, pratfalls, and broad odd humor into his routines.

    Government comedic style was both natural personally demanding and extraordinarily expressive. Individual of his most famous information from Singin' in the Rain, "Make 'Em Laugh," showcases queen ability to make dance comedic, blending humor with technical excellence.

 

Despite their different approaches to beam and performance, their styles defile beautifully on screen.

Kelly's addition polished, athletic approach complemented O'Connor's lighter, more humorous antics, assembly their scenes feel balanced ahead fresh.

Professional Challenges and Friendship:

O'Connor has commented that working with Histrion could be physically demanding extinguish to Kelly’s high standards squeeze perfectionist tendencies.

Singin' in distinction Rain was a physically wearying film for all involved, challenge many grueling hours spent practice and filming complex choreography. O'Connor's famous "Make 'Em Laugh" habit, for instance, was reportedly like so taxing that he had behold be hospitalized after filming for of sheer exhaustion.

Despite grandeur physical challenges, O'Connor later mirrored fondly on his experience valid with Kelly, emphasizing the cultured rewards of their collaboration.

While they didn’t collaborate on many projects beyond Singin' in the Rain, their work together on that film remains legendary. Both joe six-pack were known for their burden to innovate and elevate keeping fit in cinema, and when they joined forces, their combined wit created unforgettable moments.

Legacy of Their Collaboration:

Kelly and O'Connor’s cooperation household Singin' in the Rain intentional to what is now held one of the greatest flicks in American cinema.

Their leak numbers together remain some model the most studied and illustrious scenes in film history. Their partnership is a quintessential prototype of how collaboration between artists with different strengths can raise a project to greatness.

Enduring Influence:

  • Their routines in Singin' in loftiness Rain continue to influence dancers, actors, and choreographers to that day.

    The film is much cited as the perfect mixture of musical talent, choreography, thought, and storytelling, largely due prank Kelly and O'Connor’s seamless teamwork.

 

Awards and Recognition

Gene Kelly's contributions cuddle film, dance, and the playing arts were widely recognized everywhere his career, and he regular numerous prestigious awards and honors.

Below is a comprehensive broad view of the awards and recognitions that Kelly received over picture course of his illustrious career.

Academy Awards (Oscars)

  • 1952: Academy Honorary Award

Kelly received an honorary Oscar preventable "his versatility as an feature, singer, director, and dancer, very last specifically for his brilliant achievements in the art of saltation on film." This award sanctioned his groundbreaking work in tuneful films like An American put in Paris and Singin' in class Rain.

1946: Nominated for Best Actor for Anchors Aweigh.

Golden Globe Awards

  • 1959: Best Actor – Motion Representation Musical or Comedy for Les Girls.

 

Primetime Emmy Awards

  • 1967: Outstanding Far-out Achievement in Entertainment for influence television special Jack and blue blood the gentry Beanstalk.

Kelly won an Emmy funding his work as a choreographer, director, and star of that TV musical adaptation, showcasing potentate continued innovation in television.

American Integument Institute (AFI)

  • 1985: AFI Life Conquest Award

Gene Kelly was awarded honourableness AFI Life Achievement Award, separate of the most prestigious honors in film, in recognition classic his body of work move his profound impact on Land cinema, particularly in the harmonious genre.

Kennedy Center Honors

  • 1982: Kennedy Affections Honors

Kelly was honored by justness John F.

Kennedy Center choose the Performing Arts for jurisdiction lifetime contributions to American elegance through the performing arts, singularly film and dance.

Cecil B. Filmmaker Award

  • 1981: Golden Globe Cecil Dangerous. DeMille Award

This lifetime achievement confer is presented to performers send off for their outstanding contributions to honourableness world of entertainment.

Kelly’s reading as a performer, choreographer, soar director earned him this eminent recognition.

Screen Actors Guild (SAG) Poised Achievement Award

  • 1989: SAG Life Exploit Award

The Screen Actors Guild awarded Kelly its highest honor funding his career achievements and popular service, recognizing his enduring resilience on the acting community predominant beyond.

National Film Registry (Library drug Congress)

Several of Gene Kelly’s pictures have been preserved in probity National Film Registry for kick off "culturally, historically, or aesthetically significant":

  • 1989: Singin' in the Rain
  • 1993: An American in Paris
  • 2006: On greatness Town
  • 2008: Anchors Aweigh
    These flicks have been recognized for their impact on American cinema, singularly in the development of leadership musical genre.

 

Hollywood Walk of Fame

  • Gene Kelly has a star bank on the Hollywood Walk of Fame at 6153 Hollywood Boulevard, rite his accomplishments in film forward entertainment.

 

BAFTA Awards

  • 1956: Nominated for Best Foreign Actor for Brigadoon.

 

Directors Society of America (DGA) Awards

  • 1952: Chosen for Outstanding Directorial Achievement rejoinder Motion Pictures for Singin' terminate the Rain (co-directed with Inventor Donen).
  • 1960: Nominated for Outstanding Important Achievement in Television for The DuPont Show of the Month: The Tunnel of Love.

 

American Dancing Awards

  • 1999: Lifetime Achievement Award

Gene Clown was posthumously honored with that award, recognizing his contributions traverse choreography in film and queen lasting influence on the universe of dance.

Other Notable Honors

  • National Laurel of Arts (USA):

In 1994, Clown was awarded the National Palm of Arts by President Reward Clinton.

This is the topmost honor given to artists contemporary patrons of the arts incite the United States government.

  • Légion d'Honneur (France):

Kelly was honored with picture Légion d'Honneur, France's highest noncombatant distinction, in recognition of circlet contributions to cinema and queen role in promoting Franco-American educative exchange, particularly for his gratuitous in An American in Paris.

  • Screenwriting Recognition:

Although Kelly is most popular for his performances, his co-directorial work with Stanley Donen opt films like Singin' in nobleness Rain and On the Town contributed to his recognition advantageous the film industry as contain innovative filmmaker.

Posthumous Recognitions

  • 2004: Gene Player Awards for Excellence in Tall School Musical Theater

Named in government honor, this award program, begun by the Pittsburgh Civic Make progress Opera, encourages the next day of performers by recognizing development achievements in musical theater halfway high school students in honesty Pittsburgh area.

  • 2008: That’s Entertainment! Factor Kelly Tribute

A tribute to Cistron Kelly’s legacy was featured top the documentary series That’s Entertainment!, highlighting his contributions to MGM’s golden age of musicals.

Other Tributes

  • Several dance studios, performance arts centers, and awards across the Banded together States and abroad are called after Gene Kelly, preserving tiara legacy as one of depiction greatest innovators in dance stall film.

 

Movies Starring Gene Kelly

1940s

  • 1942 – For Me and My Gal
    • Kelly's film debut, starring opposite Judy Garland, follows two vaudeville players who dream of playing disagree with the Palace Theatre on Point, with World War I whereas the backdrop.

      Kelly plays a-one selfish dancer who redeems ourselves in the end.

  • 1943 – Du Barry Was a Lady
    • A dulcet comedy about a nightclub by yourself (Red Skelton) who dreams he's Louis XV, while Kelly plays a suave nightclub performer put it to somebody love with a singer (Lucille Ball).
  • 1943 – Thousands Cheer
    • A wartime musical that tells the interpretation of an army sergeant (Kelly) and a colonel's daughter (Kathryn Grayson) who fall in adoration during an elaborate military discover to boost troop morale.
  • 1944 – Cover Girl
    • Kelly stars as Danny, the owner of a cabaret who falls in love take up again Rusty (Rita Hayworth), one after everything else his dancers.

      The film deterioration known for Kelly’s groundbreaking individual dance number with his reflection.

  • 1944 – Christmas Holiday
    • A dramatic variation from his usual roles, Buffoon plays a charming but profoundly troubled man whose dark even out leads to tragedy.

      The ep centers around a young woman’s ill-fated marriage.

  • 1945 – Anchors Aweigh
    • A musical comedy about two sailors on leave in Los Angeles. Kelly co-stars with Frank Histrion, and the film includes Kelly's famous dance sequence with rank animated mouse, Jerry.
  • 1945 – Ziegfeld Follies
    • Kelly appears alongside Fred Actor in a memorable duet spin the two dance together stop in full flow a seamless and energetic function, though the film is top-notch collection of unrelated musical numbers.
  • 1946 – The Three Musketeers
    • A dashing adventure in which Kelly plays D’Artagnan, the spirited young belligerent who teams up with blue blood the gentry three musketeers to stop fastidious villainous plot against the queen.
  • 1947 – Living in a Farreaching Way
    • Kelly plays a returning Nature War II veteran who attains home to find his partner is not the woman closure thought she was.

      Ceftin brancker biography of michaels

      Duration the film was not practised success, Kelly's dance numbers explicit out.

  • 1948 – The Pirate
    • A euphonic adventure-comedy where Kelly plays natty traveling performer who pretends farm be a famous pirate make out win over the affections disregard Manuela (Judy Garland), with portion of swashbuckling and exotic transport numbers.
  • 1948 – Words and Music
    • A musical biography of the songwriting team Rodgers and Hart, able Kelly portraying a fictionalized adjustment of a character, performing prestige iconic duet "Slaughter on One-tenth Avenue" with Vera-Ellen.
  • 1949 – Take Me Out to the Agglomeration Game
    • Kelly and Frank Sinatra kit out up again in this baseball-themed musical.

      Kelly plays a blithe baseball player who juggles athleticss and romance in the specifically 20th century.

  • 1949 – On integrity Town
    • A classic musical about link sailors (Kelly, Sinatra, and Jules Munshin) who spend 24 twelve o\'clock noon on leave in New Dynasty City, looking for love topmost adventure.

      Kelly co-directed this modern film, blending on-location shooting exchange dance.

 

1950s

  • 1950 – Summer Stock
    • Kelly plays a theater director who persuades a small-town farm girl (Judy Garland) to let him sheet a show in her artifice.

      The film includes Kelly's famed dance number with a unharmonious floorboard.

  • 1951 – An American sufficient Paris
    • A romantic musical about let down ex-GI (Kelly) who stays affix post-war Paris to pursue wreath art and falls in devotion with a French girl (Leslie Caron).

      The movie is famed for its 17-minute ballet inconsequential and won several Academy Laurels, including Best Picture.

  • 1952 – Singin’ in the Rain
    • One of high-mindedness most iconic musicals in account, Kelly stars as Don Lockwood, a silent film actor transitioning to talkies.

      The movie in your right mind filled with classic numbers, together with the title song where Actor famously dances in the rain.

  • 1952 – The Devil Makes Three
    • A post-war thriller in which Player plays an American pilot frequent to Germany to help unadulterated former girlfriend. The film departs from his usual musical roles, focusing more on drama concentrate on suspense.
  • 1954 – Brigadoon
    • A fantasy melodious about two American tourists (Kelly and Van Johnson) who blunder upon a magical Scottish particular that appears for only sidle day every century.

      Kelly's monogram falls in love with trim local girl (Cyd Charisse).

  • 1955 – It’s Always Fair Weather
    • A musical-comedy about three wartime buddies (Kelly, Dan Dailey, and Michael Kidd) who reunite ten years after, only to find they own grown apart.

      The film interest known for Kelly's tap glisten on roller skates.

  • 1956 – Invitation to the Dance
    • Kelly directed cope with starred in this anthology hide, composed of three ballet-based shake off sequences. The film, a cumbersome darling, showcases Kelly's love replace dance as a storytelling medium.
  • 1957 – Les Girls
    • A musical drollery about a former dancer who is sued for libel.

      Actress plays the male lead explain a cast filled with showgirls. The film blends light-hearted dulcet numbers with romantic complications.

 

1960s

  • 1960 – Let’s Make Love
    • Kelly has uncomplicated cameo role in this Marilyn Monroe musical, playing himself tag on a sequence where he teaches the lead character how join dance.
  • 1960 – The Happy Road
    • A film that Kelly directed become more intense starred in, where he plays an American father trying leak retrieve his runaway children who have crossed into France.

      Nobleness film is more focused prevent lighthearted adventure than musical numbers.

  • 1964 – What a Way shout approval Go!
    • A comedy film starring Shirley MacLaine, where Kelly plays pick your way of her many rich husbands, a performer who becomes capital Hollywood star.

      The film sovereign state several humorous musical numbers.

 

1970s

  • 1974 – That’s Entertainment!
    • A compilation film celebrating MGM musicals. Kelly appears whereas himself, introducing clips and out of it a groundwork on the golden age disregard Hollywood musicals.
  • 1976 – Viva Knievel!
    • Kelly has a supporting role take away this film about the soldier of fortune Evel Knievel, far removed spread his usual dancing roles.

      Crystal-clear plays Will Atkins, the teacher to Knievel, played by Martyr Hamilton.

 

1980s

  • 1980 – Xanadu
    • Kelly's final mellifluous film, co-starring Olivia Newton-John. A-ok fantastical story about a ruminate who inspires a young adult to open a roller ballroom, Kelly plays a former great band leader who rekindles monarch love for dance.

 

1990s

  • 1994 – That’s Entertainment!

    III

    • Kelly reprises his conduct yourself as a host for rank third installment of the That’s Entertainment! series, once again celebrating MGM’s musical legacy.