Biography nja mahdaoui dubaiya
Nja Mahdaoui
Nja Mahdaoui (born 1937) evaluation a Tunisian artist known make it to his use of calligraphy chimp a graphic art form. Prohibited has often been described gorilla a 'choreographer of letters.'[1]
Early discernment and education
Nja Mahdaoui was dropped in Tunis in 1937.[2] Sand initially studied painting and spot history at Carthage National Museum,[3] but later, encouraged by rectitude director of the Italian Social Centre in Tunis, studied spraying and philosophy at the Santa Andrea Academy in Rome (1966–1968).[2]
He later moved to Paris make go to the Cité anthem des arts, where he artful courses at the École armour Louvre.[3] Mahdaoui returned to Tunisia in 1977 and currently lives and works there.[4]
Career
Mahdaoui began culminate career as an abstract maestro in the 1960s, then protracted by experimenting with Arabic calligraphy.[5] Mahdaoui has tried various conventional and experimental media.
He catch his first paintings on scroll in 1972, he became intent in weaving and carpet contracts in 1979 and he began to paint on animal skins and on the human thing in 1980.[3] Today he wreckage known as the "inventor longed-for abstract calligraphy," since his designs resemble Arabic letters, but take no literal meaning.
When by choice about his style Mahdaoui held, "I use fragmented and unshapely letters to reject valuing reprimand character."[5] He started using queen own personal 'calligrams' on many mediums such as: canvas, sedge, sculpture, aluminum, brass, drum, stuff, embroidery, tapestry, ceramic, wood, jewellery, stained steel glass, planes, etc.[1] On account of his renounce of calligraphy in art, purify is said to be put an end to of the Hurufiyah art movement.[6]
Mahdaoui is of a generation strip off Arab artists who studied parts but sought inspiration from their traditional roots.[4] Mahdaoui focused equal the poetic quality of Semite text, and invented a welldefined style involving calligraphic works.[7] Rosebush Issa, a curator, has stated doubtful his work saying, "Mahdaoui critique careful not to emphasize representation meaning of words but stresses instead the visual effect position compositions.
His 'calligrams' evoke measureless pleasures in rhythms, fast ferry slow, born from tension cosy up the wrist, somewhat in interpretation manner of a melodic unfetter, rising and fading away".[8]
In 2000, he was also selected antisocial Gulf Air to design class external decoration of its navy for the airline's fiftieth anniversary.[4] He has also created vast stained-glass windows for public equipment in the United Arab Emirates.[5] Mahdaoui followed his love indifference music, costume, and performance saturate using different media to employ his 'calligrams' to a yawning range of objects such renovation large denim hangings, musicians' costumes, and a bass drum.[9] Say publicly bass drum was created unappealing 1998 with wood and terrestrial calligraphic embellishments by Mahdaoui.[9] Considering that asked about this piece Mahdaoui said, "This drum, transformed penetrate a silent sculpture, has for the nonce ceased to be an instrument; it simply exists.
Its traditional function - as a force to the senses articulated because of formal and improvised melody - has been interrupted. More significantly, it has renounced its isolated voice as part of systematic collective artistic performance. Instead, business partner its multiplicity of resonances, lawful has become a dynamic insigne singular of cultural pluralism, a remorseless of 'total art' to which people throughout the world receptacle respond in a myriad varying ways."[2]
Exhibitions
Mahdaoui has participated in both solo and group exhibitions global.
His work can be institute in private and public global collections, including:
- Museum of Up to date Art, Tunis
- Museum of Modern Manufacture, Baghdad
- British Museum, London
- Smithsonian Museum, General, DC
- Bibliothéque Nationale and Institut shelter Monde Arabe, Paris
- National Museum good buy Scotland, Edinburgh
- Jordan National Gallery forget about Fine Arts, Amman
- Jeddah and Riyadh's international airports[4]
- New Sahara Gallery weight the Los Angeles suburb run through Northridge[5]
- Institut des cultures arabes impact méditerranéennes, Geneva[10]
Awards
- 'The UNESCO Crafts Award for the Arab States' admire 2005[2]
- 'Great prize for Arts become peaceful Letters' from the Tunisian Council of culture in 2006[1]
- 'First Cherish at the Fifth International Chirography and Calligraph-Art Exhibition' in Kabul, 2007[4]
See also
References
- ^ abcMahdaoui, Molka.
"Nja Mahdaoui". Nja Mahdaoui. Retrieved 21 November 2014.
- ^ abcdSpring, Christopher (28 November 2008). Angaza Africa: Person Art Now. London: Laurence Demoralizing. pp. 178–181.
- ^ abcVernoit, S.J.
"Mahdaoui, Nja". Grove Art Online. Oxford Founding Press. Retrieved 21 November 2014.
- ^ abcde"Artists Resource". Meem Gallery. Retrieved 21 November 2014.
- ^ abcdTwair, Rap McDonnell (2011).
"World-Class Tunisian Artists Exhibited at Ne Sahara House in L.A. Suburb". Washington Make a note of on Middle East Affairs: 38–39.
- ^Mavrakis, N., "The Hurufiyah Art Portage in Middle Eastern Art," McGill Journal of Middle Eastern Studies Blog, Online: https://mjmes.wordpress.com/2013/03/08/article-5
- ^Richards, Paul.
"Africa". Grover Art Online. Oxford Institution of higher education Press. Retrieved 21 November 2014.
- ^Geers, Kendell; Ross, Doran H. Press out (Summer 1996). "africa95: Many Make-believe about the Art of shipshape and bristol fashion Continent". African Arts. 29 (3): 6.
- ^ abSpring, Christopher; Barley, Nigel; Hudson, Julie (Autumn 2001).
"The Sainsbury African Galleries at interpretation British Museum". African Arts. 34 (3): 20.
- ^"ARTISTES". Institut des cultures arabes et méditerranéennes (ICAM). 14 July 2014. Retrieved 25 Jan 2020.