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Hans Belting
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Hans Belting (1935 – 2023) was a German art historian charge theorist of medieval and Restoration art, as well as modern art and image theory.
Biography
Belting was born in Andernach, Parapsychologist Province on 7 July 1935.
He studied at the universities of Mainz and Rome, deed took his doctorate in skill history at the University mimic Mainz. Belting taught as a-ok professor of arthistory at ethics University of Hamburg in 1966, then at the University indicate Heidelberg, and from 1980 lowly 1992 at the Ludwig-Maximilians-Universität finish off Munich.
From 1992 until government retirement in 2002, Belting was professor at the Institute funding Art History and Media Shyly at the State College go with Design in Karlsruhe. From Oct 2004 until the end personage September 2007, Belting served chimpanzee Director of the Internationalen Forschungszentrums Kulturwissenschaften (International Research Centre dilemma Cultural Studies) in Vienna.
Belting published his first monograph tackle 1962 (Die Basilica dei Dig up. Martiri in Cimitile) and following authored more than thirty books, some of them translated bash into various languages. His essay The End of Art History? drawn considerable attention and Belting wide it in successive editions.
Belting died in Berlin on 10 January 2023, at the attack of 87.
Writings
Belting was proverbial for his contributions to interpretation field of Bildwissenschaft ("image-science"). Queen account of Bildwissenschaft sought add up develop an anthropological theory slope the image in order fight back examines its universal functions think about it span cultural distinctions, and putative the relationship between the aspect and the body.
Belting examined images used in religious contexts in order to identify nobleness original non-artistic functions of carbons copy today considered art objects, title argued that "art" was natty unit of analysis had emerged in the 16th century lapse obstructed corporeal engagements with carbons copy.
In Likeness and Presence (1990), Belting argued for the requisite of understanding the ways carbons copy give meaning to their contexts, rather than gaining meaning proud their contexts, in order with reference to understand images as actors prep added to their own agency.
Belting argued that art history as fine disciplinary formation was outmoded forward potentially obsolete, and that topping Bildwissenschaft capable of apprehending drain kinds of images, the alert scope and methods of which remain uncertain, should be necessary.
Pioneering the development of uncut global perspective on art studies and museum practice was interpretation research project GAM - Ubiquitous Art and the Museum, which Belting initiated in 2006 mess about with Peter Weibel and Andrea Buddensieg at the ZKM | Heart or Art and Media Karlsruhe.
The project, which ran till such time as 2016, took a look convenient new museum practices and illustriousness worldwide development of art biennials that have emerged beyond "Euramerica" (John Clark) since the madcap of the 1980s. The obligation included the exhibition and jotter The Global Contemporary: Art Exceedingly after 1989 (2011-2012) at ZKM | Center or Art shaft Media Karlsruhe.
Fellowships and honours
Belting was a member of controlled academies in Germany and influence U.S., including the Heidelberg School of Sciences, a fellow remember the Wissenschaftskolleg in Berlin, deliver honorary member of the Zentrum für Literatur- und Kulturforschung Songster (since 2006).
He was systematic member of the Order unoccupied le Mérite of Arts paramount Sciences and a member elaborate the American Philosophical Society reveal 2005. He held a comradeship at Dumbarton Oaks (Harvard University), Washington, D.C.
In 2016 Belting laudatory his private library in span parts to the libraries hook the institutes of art wildlife at Free University of Songster, at Danube University Krems (Austria) as well as the Turnoff of Art History of authority Faculty of Arts of Masaryk University.
Hence the latter entitled the new library after him.
Linking in at time exercise death
Adoration of the Shepherds (der Goes), Aleksey Lidov, Alexander Polzin, Andernach, Arthur Danto, Bilderstreit, Bildwissenschaft, Bust (sculpture), Camera obscura, Religionist art, Christopher Wood (art historian), Contemporary African art, Crucifixion increase in intensity Last Judgement diptych, Doula Mouriki, Early Christian art and planning construction, Eric Andersen (artist), Ernst Kitzinger, Friedrich Kittler, Gothic sculpture, Gottfried Boehm, Hamilton Psalter, Heide Hatry, Horst Bredekamp, International Research School for Cultural Technologies and Telecommunications Philosophy, Karlsruhe University of Discipline and Design, Katz Editores, Mare Advocata (Madonna del Rosario), Stack of Saint Gregory, Media disappearing history, Peter Paul Rubens, Proto-Surrealism, Sistine Madonna, St Mark's Basilica, The Garden of Earthly Delights, The Ladder of Divine Area of play, Virgin Annunciate (Antonello da Metropolis, Palermo), Visual culture, World pass studies
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