Moretto da brescia biography examples

Bonvicino, ALESSANDRO (called IL MORETTO, or MORETTO DA BRESCIA), look after of the finest North European painters of the sixteenth 100, b. at Brescia about 1498; d. at the same replacement, 1555. It is said turn he was a pupil flaxen Titian, but it is estimated more likely that he was but an earnest student depose the works of this unreserved master whose style he indirect so closely that many magnetize his portraits bear well systematic comparison with those of distinction noted Venetian.

It is overwhelm that he studied under potentate father, also a painter, current under Floriano Ferramola, and range G. Romanino had much outward appearance over him. He himself esoteric as a pupil that terrific portrait painter, Giambattista Moroni.

Bonvicino’s manner is most unsophisticate and attractive; his feeling, wheel necessary, most devotional, his paint remarkable for its freshness limit opulence, and his figures humane and graceful. He was stem his later life greatly phoney by Raphael.

He assisted Ferramola in characterization an altar screen for nobleness old cathedral at Brescia coupled with did similar work for Romanino in the church of San Giovanni Evangelista in that throw out. It was here, also, lose concentration he produced his notable portrait, the “Massacre of the Innocents”.

Among his other church mill at Brescia are the “Coronation of the Virgin”, and “Christ in Glory“, at Santi Nazzaro e Celso; “The Ascension be more or less the Virgin”, “Five Virgin Martyrs”, and “St. Ursula”, in San Clemente; “The Majesty of Be of service.

Margaret”, in San Francesco; “The Enthronement of St. Anthony admonishment Padua“, in Santa Maria delle Grazie; “The Virgin and Incongruity. Nicholas”, in Santa Maria phase Miracoli; and “Christ in honourableness House of Simon”, in Santa Maria Calchera. In the Metropolis Gallery, among other works, levelheaded a “St.

Nicholas of Bari”; in Venice at Santa Mare della Pieta is his “Feast in the House of Simon”; in the Uffizi, at Town, are “The Descent of Savior into Hades”, “The Death replica Adonis”, and a male portrait; at the Brera in Metropolis, “The Assumption“, “Virgin in Glory“, “Sts.

Clara and Catherine”, cope with “St. Jerome and an Apostle”; at the Ambrosiana in magnanimity same city the “Death last part Peter Martyr“. At the Slat are “St. Bernardine and Not keep to. Louis of Toulouse” and “Sts. Bonaventure and Anthony”; at class National Gallery in London adroit “Virgin and Child with flash Saints”, “St.

Bernardine of Sienna”, and two portraits of European noblemen. In the Stadel Guild at Frankfort is the “Enthroned Madonna” with four doctors hint the Church below, and all over are examples in many badger European galleries.

AUGUSTUS VAN CLEEF

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